#as a side character but the story is very trans

[animentality]

Tbh I think it's still legit if you read and like Blue Lock for being so gay (at least subtextually), despite being misogynistic Kaneshiro seems to have sympathy for queer people to a certain degree. Besides the gay sidekick, As The Gods Will also has some other queer side characters (a lesbian, a trans girl, a few more hinted gay boys and a non-binary villain according to my memory) even though not all of them are well-written, the good ones are good. Specifically my most favorite is the gay sidekick Ushimitsu, he's actually a pretty well-rounded character with very strong role as a co-lead in ATGW 2, I never feel like he was disrespected in the story (rather I think he's obviously Kaneshiro's favorite), sure he's got an open ending that can be seen as tragic but it's actually in line of the whole theme of the story and I respect Kaneshiro to commit to writing it rather than just give a copout happy ending and it also proves his gay feelings as real & deep despite heartbreaking.

Now I wish Kaneshiro can have that same energy in writing Bachira as he's in a similar position to Ushimitsu in ATGW but somehow poor bee boy got pushed aside in bllk after U20 arc (probably in favor of more popular Isagi ship with Rin or Kaiser 🙃), I hope he makes good on the promise that Bachira will be a key character later in the series and this time since nobody will die in Bllk I hope Bachisagi will get a deserved happy ending.

well that's the thing, anon.

I feel bad for liking blue lock because it has such a misogynistic creator but it's hard not to cling to something so obviously queer friendly.

like honestly.

there's definitely Japanese media that's queer neutral or queer friendly but blue lock actually feels like it's always on the verge of just being properly queer.

it's not fanservice like free or yuri on ice. it legitimately feels as close to canon as it can get without changing genres. and I think the creator having queer characters in the past gives him some street cred.

i know what homophobia in a manga looks like. it's that awful rapist character from one punch man. this hyper masculine but also hyper feminine muscly man who sexually assaults other men.

it's tokyo ghoul having its only queer characters being pedophiles, rapists, and sex addicts/victims who get sexually assaulted until they're "corrected."

it's having no subtext at all and only ever using gay men as a one off joke and gay women as a fetish.

at least blue lock does seem to respect its characters enough that it takes their hinted at sexualities seriously.

it really doesn't go for the obvious "ewwwwww we're both guys" jokes. it's kept very ambiguous. it's subtle (except when it's not, lol).

the only character who really fits the usual offensive gay anime representation tropes is Shidou, but even him I wouldn't count as bad rep (as the closest to canonically gay character, aside from Bachira).

Shidou might be super flamboyant but he also gets to have the coolest fucking moments in the series. he's not just some pervert, he's a badass. he doesn't just flounder around like some useless weird loser who only exists to be the butt of a joke.

he loves to fight and play soccer and feel alive. he has the coolest aura in the series and everyone is constantly in awe of the ridiculous things he can do.

he's a proper villain, who's out of pocket and insane, but who's also intensely lovable and silly. and honestly portrayed pretty sympathetically. for all his faults, he can be very kind.

there's a lot of depth to him, and honestly, I think Blue Lock is pretty good at not doing anything to suggest oh hahaha homosexuality exists. isn't that funny

plus I think Bachira is canonically gay. we know he's canonically in love with Isagi.

kunigami and aiku are actually confirmed bisexual too.

Shidou and Sae were also highly suspect during u20, to the point where even homophobes cant deny they have something weird going on.

so to me... that's a lot of queer characters who are taken seriously and actually have characters outside of being a joke or a gag. they feel like real people. they have distinct personalities.

the bar is in hell, but it's more than most manga/anime manage.

so I have to give Kaneshiro credit. he's doing as much as he can, without overstepping the boundary I'm sure kodansha has set for him.

it's just a shame he's a sexist. also, I hope Kaneshiro grows a pair.

just have bachisagi get married in the last chapter you pussy.

let Shidou officiate!!!

[haveyoureadthistransbook]

Darryl by Jackie Ess

goodreads

Darryl Cook is a man who seems to have everything: a quiet home in Western Oregon, a beautiful wife, and a lot of friends to fuck her while he watches. But as he explores the cuckolding lifestyle, he finds himself tugging at threads that threaten to unravel his marriage, his town, and himself.

Mod opinion: I hadn't heard of this book before, but it does sound quite interesting.

[arinmoss]

Isabella (she/her) ^_^

[aroaessidhe]

2024 reads / storygraph

The Sapling Cage

YA fantasy, start of a trilogy

a trans girl and her friend swap places so she can join the coven of witches who wander the land instead of becoming a knight

as they travel and she starts to learn from them, while hoping she’s not found out , they uncover a corrupt magical blight that threatens to become a civil war

bi demi MC

[approximately-32-leafcutter-ants]

"are you trying to tell me that the great chinese hegemon-king, Xiang Yu, of the western Chu, leader of the 18 kingdoms and ender of the Qin dynasty, great warrior of the Chu-Han contention, is trangender?" ~ me 20 minutes ago hearing a friend talk about their game

[pastelcatnip-x3]

My Interpretations of Gold and Silver from the Lost Silver AU! (bit of an injury tw I guess)

This took me a long time lol but it was fun. I already posted Gold but I feel like they work more as a pair so I’m reposting him. If I draw them again I probably will simplify their designs a bit so I don’t feel like ripping my hair out trying to draw them, I just love giving my characters excessively complicated character designs.

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[remitro]

^_________^ yahoo! yippee!!!

hi guys. i have . ocs. please say hi to the sillies :33333 all of these dudes are linked in the same story!! feel free to ask me literally fucking anything . Anything . i am not normal about them and have not been for two years. biting them biting them b

[queerblue]

Pronouns are words used to refer to yourself and others. I, We, You, Your, He, She, They, You're, Theirs, His, It, Herself etc are ALL pronouns, it's very hard to speak English without using them. Singular They/Them has been used for centuries. The word "You" used to only be used for groups, see how language evolves.

Cis and Trans are Adjectives which are describing words. Cis is not a slur or a pronoun. Cis is a Latin prefix that means "On the same side of" whereas Trans means "On the other side of."

Puberty Blockers were first created in the 80s to stop children from starting puberty too early. Children can get their period as early as 7 years old and a child shouldn't have to go through that. The effects are completely reversible, all the child has to do is stop taking them whenever they're ready and they'll start their puberty again. You only have a problem with puberty blockers when Trans kids use them.

No doctor is performing gender affirming surgeries on under age children (except for intersex children and babies), there's so much that you have to do before even being approved for top or bottom surgery (or any kind of gender affirming surgery), it's also very expensive, none of this would ever be performed on a child.

Drag Queens reading stories to children or dancing for them isn't any different than hiring a professional to dress up for your child's birthday party or going to Disney World where everyone is dressed up and playing characters. There is absolutely nothing inappropriate about Drag Queen story time. Drag Queens wear far more clothing than literally any of us. If you're fine with taking your child to Hooters or to a sports game with cheerleaders but you have a problem with Drag Queens... You sexualize Queer people and say it's inappropriate for us to be around children yet you have no problem with over-sexualizing women if it's for your entertainment and you have no problem with your child seeing it.

[am-i-the-asshole-official]

Am i the A-hole for trying to protect a women focused space?

I'm the mod from the super one sided retelling of the "Refusing to change OC's sexuality to bi/pan" situation. Shin (the person who wrote that post) know i don't use tumblr so of course he bring the drama here so that people would judge "Laura" and me without knowing the full truth. Thankfully, a dear friend of mine who followed this blog told me about this and was kind enough to allowed me to send this ask using her account.

First of all, it's pretty clear that Shin is lying about his identity. Shin said he is a trans man but he admitted that he don't want to transition beside wanting flat chest. Shin also said that he is south east asian but his display name and his OC's name are all japanese, which is a huge sign of white weeb fetishizing japanese culture. The fact that his english and understanding of slangs is way too good to be south east asian.

Secondly, Shin joining this server knowing that 90% of the members are yumejoshi, he should be grateful of the fact that we even allowed those yaoi characters invading what basically a space for women. I know we advertised the RP as a non-shipping focus death game story but you should have read the room and know what type of people this space is catering to and not bring your gay character in if you didn't want him to be shipped with women.

Thirdly, if Shin was uncomfortable then he should have made it clear from the start instead of letting "Laura"s character flirting with his, like having him respond rudely or out right rejecting her or something. Shin said he is having undiagnosed autism in his bio then he should have understand how it feel when people don't state what they mean clearly. His OC still being nice to "Laura"'s OC even if he didn't like the flirting, of course she would misunderstand that his OC developed romantic feeling for her OC.

Fourthly, Shin said before that he didn't count alternate timeline versions of a character from a visual novel he likes the same as the original timeline version because of their different life experiences then why can't he do the same to his OC? Why can't he just agree to let "Laura" make an alternate version of his character if in his logic they are completely different people? Hypocrite much?

And finally, "Laura" was very upset about this and it took her a while to move on, she could have hurt herself back then because of you. Also, we had to revised our server's rules and banned all the non-yumejoshies, which cut several RPs short.

So who is really the A-hole here?

[spooksier]

head in hands, on my freaking knees. the running theme of dopplegangers and other selves in protocol both textually and metatextually is going to send me to an early grave. like. beyond it just being cool as hell, its such an interesting way to take a sequel/side-quel/whatever of a story where even the most minor character has a whole fanbase behind them because yes! we’re all waiting to hear from our faves after so long and here they are! but not really. the voice is the same but the person is not, at what point do you stop being you and start being someone else? is that you?

and ! ☝️ id argue that sam and alice as characters play into this theme because they are both completely different from jon and martin but also exactly the same (sam being very friendly and personable in a way that hides his obsessiveness, alice being loud and sarcastic to hide her loneliness/jealous streak) (also erm. theyre actually canonically south asian and trans this time. win.) (we also get this with gwen (literally a bouchard) and celia (literally from tma)) the whole team is meant to ring the archives alarm without any fire. similar but not the same yknow?

idk man playing with expectations and familiarity like this is so cool to me. like yes ill trust the voice in my computer telling me to dig myself deeper! it sounds like my friend jon!

[eff-plays]

Long Taash storyline rant, by an enby

Listen. At first I was honestly not that offended/upset with the Taash enby stuff. And having an enby Rook who was able to help them out was honestly pretty fun. It was definitely the first time any video game engaged directly with nonbinary identity like this, and while it's not really 1-1 with my own experiences, I thought that it was. Fine? Ya know? I thought it was a very novel experience to finally have a fellow enby NPC that you could talk to about being nonbinary. It's never happened in any other game I've played.

But then it just ... kept going. And on one hand I get it, because you don't just decide your nonbinary and that's it -- it's a process. But the way it's handled is absolutely insane to me. First of all, how old is Taash supposed to be? They give off whiny teen vibes, and it's very off-putting. This is the character that's meant to represent me? Why are they written like a child?

Second, why are we using modern terms? The word "nonbinary" IRL exists because it is a rejection of the Western gender binary. It's a specific term that isn't universal, and since no previous game bothers to engage with the gender roles of Thedas to begin with, it's absolutely insane to hear these hyperspecific terms used in this made-up fantasy world. Especially since the Qun already has words and concepts for their gender roles -- why didn't BioWare just base this story on those? Why not try to contextualize this in-universe? There are other nonbinary characters in the game, but they just popped up in this previously unequal and often sexist world and are just vibing. With no explanation. Who's out there doing thedosian gender studies? How are they spreading these revolutionary concepts so far and so quickly that the terminology becomes universal?

Side note on that, why does Taash have a little counselling session with the other two trans people that sounds like something they'd do in sex ed class (in Sweden, anyway)? Why is this happening during a magical apocalypse? Hello? Look at this fucking codex entry and try not to cringe

Like. Who is this for? This doesn't make me feel good as a nonbinary person. This makes me feel like a freak, out-of-place, and like I'm a fucking baby that needs my existence validated by some fucking bitchass video game codex entry preaching at me about how totally valid I am. This doesn't feel like respect, or inclusion -- it feels patronizing. It feels corporate, like we're ticking off boxes. "Look everyone, we're using the appropriate terminology! We're so inclusive!" And you know what? The fucking anti-woke chuds are gonna look at this and think THIS is me. That all I care about is having my terminology and identity carelessly stuffed into places just so I can feel good about who I am.

And before tumblrinas get upset, I'm not saying I don't want rep, or that I'm one of the "good ones" who wants video games to be free of "ideology." I am one of the bad ones. Taash should be nonbinary and I should be able to play a nonbinary Rook and I want both of those things to be explicit and accepted in-game! But I want those in a way that respects me and my intelligence, and the world BioWare has created that I've come to love. Who is preventing BioWare from actually, ya know, unwrapping the sexism and misogyny that they started in Origins? Who's stopping them from actually tackling the gender politics of Thedas? Why don't we ACTUALLY sit down and figure out how a society like the Qun might approach somebody not willing or able to conform to their particular rules? Especially the Qun. Like, they had so much potential for something actually interesting here, and instead it's "mom it's not a phase, respect meeeeee!"

Third, and this is my favorite fucking part, they tie Taash's gender to their background, where the Qun represents conformity and Rivain represents freedom. (Which is an entire can of worms in itself that I won't go into here.) I don't actually mind this? I have some extra special boy insight on this part of the quest, because I am also an immigrant who was born in one country and grew up in another. Being nonbinary and being an immigrant, while separate, have both had a similar effect in my life. It's left me feeling like I don't belong anywhere at times, like I'm something different and strange, and at times like I'm a kaleidoscope of expression and freedom, with unique experiences not everyone has. There is an absolutely valid intersection there that could have been explored and would've been very impactful if done right.

But instead we get this

Hello? Oh my god HELLO?

Why is there a BINARY CHOICE in a story where a character embraces being NONBINARY? Why are we now equating Taash's background and cultural belonging to the demands of their mother? You can reject what your parent is forcing you into without completely rejecting your culture! Am I fucking taking crazy pills right now?

The idea that Taash, upon discovering they're nonbinary, has to now say goodbye to being a Qunari? When they weren't even ever shown to care about the Qun in the first place? WHY IS THIS A CHOICE THAT HAS TO BE MADE? WHY ARE THEY ASKING ME WHETHER THEY SHOULD CONTINUE FOLLOWING THIS CREED THEY DO NOT CARE ABOUT? (Side note: why did their mother escape from the Qun only to enforce it herself?)

Like? You can't spend a whole fucking subplot deciding you're neither a man nor a woman, but then equate being nonbinary to being Rivaini, and thinking you need to pick that or being Qunari. I'm sorry? I'm sorry? I'm sorry?

Why is there no third choice? Why is there no "Hey you can be both" or "Hey just pick whatever from either culture you want to keep and throw away what you don't?"

I am going insane. The game sits you down and condescends at you for ages about basic contemporary gender theory, but then tries to inexplicably tie that to Taash's cultural background, but then doesn't bother examining how those cultures treat gender at all, and then finally forces us into a binary choice ... for a character whose entire fucking personality is "nonbinary."

The Qun is a misogynistic society. Rivain is a matriarchal society. (This was true for the previous games, at least.) The way these cultures approach gender is vastly different. But instead of examining how such a person would struggle with their background and how that would tie into their gender identity, it's just "Rivain good" and "Qun bad." Pick one or the other. Conform or rebel. Pick one or the other.

And that's the storyline of the nonbinary character.

The reactionary chuds will hate this and blame nonbinary people for how much this fucking sucks. While I can't claim or enjoy it because it's corporate nonsense and fucking sucks. All this does is show people that when games include enby rep, it's hack shit like this, so why include it if it's gonna suck ass, right? This bad writing will just make your game worse, so don't bother!

So yeah. Cool.

Thanks, BioWare. I hope whatever you were trying to prove was worth it.

[power-handmaiden]

Day 64: Pounded In The Butt By My Irrational Bigoted Fear Of Humans Who Were Born As Unicorns Using A Human Restroom

While I had conflicting feelings on "Angry Man Pounded By The Fear Of His Latent Gayness Over A Dinosaur Transitioning Into A Unicorn" in light of how the conversation on trans rights and visibility has evolved, I feel like this tingler, published only 11 months later, holds up incredibly well. It tackles gender in a similar way to robot fiction, in the way that the protagonist feels insecurity over his humanity when someone he would not traditionally recognize as a human is able to inhabit human spaces.

One aspect that I appreciate a lot is that the story makes it very clear that the character that the protagonist initially directs his species transphobia towards does not pass as a human at all; the bigoted protagonist and the waitress who is dismissive of his bigotry both refer to the character as a unicorn based on appearance. A major point in this tingler is that the man deserves dignity whether or not he "looks" like he should be in a human space. A lot of transphobes love to make arguments that operate in this heightened reality. It's not hard to imagine one saying, "what, should we accept it if someone identifies as a unicorn?" I mean, the furry panic is basically that, using some on-its-face absurd otherkin caricature as a proxy for trans people. This tingler meets them in their invented space where they think their argument is the most ironclad and says, yes, that would be fine actually, even if we did all live in your thought experiment and even took it a step further by introducing other sapient species with clear physical differences. People of different species peeing in the same room is not going to break the fabric of society.

(Side note not entirely related, people who care about such things are also just.... really bad at telling who "belongs", which is addressed in the story somewhat but I just like to mention whenever I have the chance that it includes false positives on their Wrong Sex Detector too. I use the bathroom that corresponds to my birth certificate and I've been stared at, yelled at, one time someone just watched me piss?? So much for bathrooms being a harrassment free space.)

I also love that nothing sexual takes place in the bathroom. The protagonist recovering from his bigotry fucks a sentient restroom sign right in the middle of the diner. Absolute madman, I can't help but respect it.

[kookygobbledygook]

Some people have been saying this, but I don't think it's been said enough and I'm just going to add my voice to the mix.

Nimona's nomination is being framed as an example of "Look at what Disney missed out on!" and I get it. It's a nice, tasty schadenfreude situation and we all like to see The Mouse get taken down a peg.

But I think we need to be very clear; Disney did not miss out on anything because they were never going to take that sort of risk.

Disney was never going to release anything close to the Nimona we got. It would have been sanded down until anything obviously queer or controversial was as faint and unnoticeable as possible by the casual viewer. And then they would still be too scared of any potential backlash. So they would have given the film a limited release at theatres, with no advertising, or social media or support.

Like what happened with Strange World.

You remember Strange World, right?

No?

That's because no one does.

And I believe that was deliberate, because that way Disney can go "Weeellll... obviously we would LOVEto take more risks and have more inclusive stories but that's clearly not what the public wants!"

Look at the original concepts for Wish. The evil royal couple? The peter-panesque star boy that would have made the gen zers go feral the same way millenials went feral for Jack Frost? These could have been the best things about the movie, and even they were scrapped, and replaced with something more homogenised. And those ideas are nowhere near the level of the concepts and discussions Nimona brought to the table.

Disney can barely have explicit gay people. Nimona has a gay south Asian man in a relationship with an east Asian man. As a protagonist! But more than that, you think Disney could ever come up with a relationship as complicated and difficult as Boldheart and Goldenloin's? They would never have the guts to show one love interest cutting off the other's arm in a straight relationship. Let alone a gay one! And then for them to be on opposite sides of the conflict, shifting between feelings of betrayal, and questioning each other motives? That's some adult dark shit for a kids film.

Asha as a character was forced into the quirky girl role that Disney has already flogged to death with Anna and Rapunzel. You ever think they would allow a Disney princess to be as dark and violent and nuanced as Nimona? You ever picture the titial character of a Disney film AS the third act conflict, rampaging through a city in a self destructive rage? Nimona is anti authoritarian, vengeful, bloodthirsty, a pretty explicit trans allegory, and even, by the climax, openly suicidal. You KNOW that terrified Disney.

I had a thing about the Director here too but I was shocked by how long that got so I'll have to save her for a different post.

My point is the things that make Nimona art, that make Nimona a great story, that make the film important and Oscar worthy, are all things that Disney has become too chicken shit to produce. If Disney had released a film called Nimona it wouldn't have been Nimona. I fully believe that if the film hadn't had been 90% finished it wouldn't have been shelved. It would have been lobotomised and vivisected. Everything special and vital about the movie and its message would have been removed, and no one would have known what could have been. Once again we would have gotten scraps and been thankful for them.

It makes me think about films like Wish (and others we don't know the name of, and never will) and think of what they could have been if studio's like Disney were braver and let their artists make art, instead of content.

tl;dr Disney didn't miss out on Nimona because they are incapable of making Nimona. If they had produced it the real Nimona wouldn't exist. We didn't miss out on Nimona. And that's purely by luck.

[kitsaystransrights]

Spiderverse 2 spoilers, you have been warned.

Everyone who hasn’t seen the movie yet gone? Okay, good. Now then.

Spider-Gwen is a trans woman. Full stop.

No “um actually” here. Literally the only way the filmmakers could have made this more clear is by outright saying it, and even then, I guarantee SOME of you (*cough*, transphobes, *cough*) would still deny it.

Gwen’s room not only has a trans pride flag over the door exterior side of the door, but a “protect trans kids” poster inside. Her dad’s uniform has a trans pride patch on it. A LOT of her shots have trans pride flags in the background. Not to mention her entire dimension has a pink and blue aesthetic (tho that is pulled from the comics so I’d understand if some people dismissed that last point.)

But EVEN outside of that stuff, a lot of Gwen’s story and personal character arc throughout Across the Spiderverse is an allegory for being trans, which is VERY clear to anyone who has experienced being trans in a conservative family.

Gwen gets “outed” to her dad as Spider-Woman right at the beginning of the film, spends most of it avoiding having a conversation with her dad because she fears being rejected, and when she is finally forced to confront him about it, thankfully, she is accepted. Swap being Spider-Woman out for being trans, and it matches up almost perfectly. Not all trans stories have a happy ending like this, sadly, but it matches up with my personal experience of being trans almost exactly.

If you didn’t notice the signs, you’re not the people I’m calling out with this post. I’m talking about the people blatantly arguing “nuh uh!” for people who are celebrating finally having a transgender woman prominently featured in an animated film. And especially nowadays, those kinds of stories in an all-ages film are all the more invaluable.

Don’t try to take this from people. Actually, scratch that, you can’t. The transphobia stops here and now. Gwen Stacy, at least this version of her, is a transgender icon. We love you Gwen 🏳️‍⚧️.

[girlfromthecrypt]

Note: This is merely a pitch introduction post. My main project remains Such Happy Campers. I have no title in mind for this IF (suggestions are welcome), although I am very passionate about the idea and will work on it on the side while I write SHC.

You are... or were one of the most famous yet mysterious characters in the 21st century pop-rock scene. 

It all started when you discovered your love for singing during an extended stay at a psychiatric hospital as a teen. Music became your motivator, and from then on, you knew the stage was where you belonged. Your friends agreed… and that is how your band came to be. After years of practice in your friend’s mother’s garage and cheap gigs at dingy bars, your journey to the top begins abruptly when you team up with a skilled manager.

It's a meteoric rise— until it isn’t. 

And now, a decade after your band has withdrawn from the public eye, you’ve accepted an interview by the acclaimed Groove Magazine. You and your former band members have agreed to give them the truth, the whole truth; as ugly as that might be. 

Follow the story of your band’s rise to fame (and eventual fall from grace)

Play as a pop-rock vocalist

Name your band and customize your music, lyrics and image

Handle the media, interactions with pushy fans and your own repressed thoughts and fears 

Romance your coolgirl-bassist, the childhood friend you cut out of your life, your absolutely insane guitarist, or your biggest fan/stalker

Give one hell of an interview

Inspiration: Daisy Jones and The Six, Fleetwood Mac

TW: themes of mental illness, substance abuse, death, mentions of suicide, suicidal ideation and self-harm, unhealthy relationship dynamics

ROs:

Stevie McLaughlin, bassist (f) — “I suppose I was the sanest one in that bunch.”

She’s one of your oldest friends, and if you follow the clanking chain of cause and effect all the way back to the beginning, it is her you have to thank for your entire career. The band was her idea, after all. She’s level-headed, composed, and always there to talk you down when you need her. Sometimes, she acts more as your retainer than anything else…

Paul/Paulette Zima, lead singer & saxophonist (f/m selectable, trans) — “Trying to figure out where you know me from?”

Your band’s brand-new, second lead singer. Your manager says they’re going to give your music the kick it needs, that they’re the one missing ingredient to your success. You’re not entirely sure if you agree. Worse yet, you happen to know this person, and your time together didn’t end on a favorable note. They’re part of a past you would much rather forget. 

Angel Monsanto, guitarist (m) — “I was always going to make it big, with or without those guys. Only, I… I really wanted it to be with them.”

Your crazy but good-hearted guitarist. His passion for music borders on obsession, and he will stop at nothing to make a name for your band. Sadly, he’s very much of the conviction that all publicity is good publicity, which has encouraged him to pull some very questionable stunts in the past. 

Lincoln Saunders, groupie?? (f/m selectable) — “What can I say, I loved them. When they first walked out onto that stage, it felt like my heart was going to explode.”

Calling Lincoln a fan would be an understatement. Fanatic is more like it. You remember seeing them at your very first show, and you’ve continued to spot them at every venue you’ve played at since. You don’t know anything about them, and perhaps changing that would be a very bad idea. But maybe you still want to.

Others:

Fatima Shah (f), drummer — “I’m pretty sure they tried to make me disappear with their fog machine.”

After things didn’t work out with your original drummer, Fatima saved the day. She’s a sweetheart to you, but from what you’ve heard, she can be kind of a terrible person. Maybe it’s best to stay a little wary of her.

Kalena Graham (f), manager — “The first time I saw them… well, they kind of sucked. But I knew, I just knew, that they had what it takes to suck on an international level.”

Your band’s manager. You can’t believe how lucky you were to have caught her attention. She’s experienced, driven, well-regarded in the industry and… kind of mean.

Simon Young (m), reporter — “Start at the beginning. And then, don’t stop.”

The guy conducting the interview for Groove Magazine. He’s nice enough, if a little starstruck. It seems he has been waiting a long time for this.

[dividers by @thecutestgrotto]

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